Come watch a movie at the Cinematheque!
The Cinematheque is the place for film history and film art. We show both the great classics and lesser-known works from the film history, as well as new films of special interest.
- Tuesday 2 sep, 20:30
- Thursday 4 sep, 20:30
- Friday 5 sep, 18:15
- Friday 5 sep, 20:30
During the Studentslippet, we are pleased to especially welcome students to the screening of these films:
Bonjour tristesse
If you’re not ready for summer to end quite yet, this is the movie for you. Cécile and her father Raymond, a wealthy playboy and widower who quickly switches between girlfriends, are vacationing with his latest conquest Elsa when suddenly Anne, a close friend of Cécile’s mother, appears. Her entry leads to a role reversal behind the facade of studied idyll and triggers a jealousy drama with fatal consequences.
Goodfellas
Scorsese’s modern classic about the American mafia. Irish-Sicilian New York boy Henry Hill, played by Ray Liotta, starts at age 14 as a running back for local gangsters. Over the decades, Henry and his buddies, the paranoid Jimmy Conway (Robert De Niro) and the psychotic Tommy De Vito (Joe Pesci), climb the mafia hierarchy, but the bonds between them weaken and Henry is forced to deal with both his friends and his illegal activities.
Den fabelaktige Amélie fra Montmartre: An inventive and romantic fable about the imaginative Amélie Poulain. The Fabulous Amélie of Montmartre was a worldwide critical and audience success and Audrey Tautou’s breakthrough film. The playfulness, absurdity and richness of detail can be recognized from director Jean-Pierre Jeunet’s other films, such as The Delicacy and The City of Lost Children, but The Fabulous Amélie of Montmartre is considerably lighter and has a more romantic view of life.
The Blair Witch Project
The Blair Witch Project, which celebrates its 20th anniversary this year, gained immediate cult status after its first screening and has been called the scariest film since The Night Swarm.
Persona
One of Bergman’s greatest films, starring Liv Ullmann. Intense, sensual and introspective, Persona is Bergman’s most intimate exposure of art – its false mystique and magic. The film is a study in pretense and emptiness, in distance and closeness between two women, where the boundaries between dream, thought and reality are blurred.